In his first words to Edna, Mr. Pontellier chides her for choosing an inappropriate time to bathe, and he goes on to berate her for the sunburn she has acquired. He looks at her as "at a valu fit piece of property which has suffered some toll" (7). It is thus clear from the surfaceset of the book that the urban-oriented materialist perspective of Mr. Pontellier testament change surfacetu exclusivelyy clash with Edna's nature-identified personality.
One day at Grand Isle, Edna goes to the beach with her friend Madame Ratignolle. As they sit gazing at the sea, Madame Ratignolle asks Edna for her thoughts. Edna replies that she was thought of a day from her childhood in Kentucky, when she walked through a meadow "that seemed as big as the ocean to the very little girl walking through the batch, which was higher than her waist. She threw out her arms as if swimming when she walked, beating the tall grass as one strikes out in the water" (29-30). Edna's design of the third person when describing herself in this scene seems to demonstrate how change she has become from her inner, childhood self. She states that with her sunbonnet (another nature-oriented item) obstructing the view, "I could see only the put out of green before me, and I felt as if I must walk on forever, without coming to the end of it. I don't remember whether I was frightened or pleased. I must have been entertained" (30). She muses to her friend that she was p
Sadly, Edna's wings are not strong enough to strain her safely into her new life. Even though she vacates her home to run into alone into the "pigeon-house," she is unable to achieve her independence. Her keep up cleverly explains her demeanour to the world at large as perfectly rule: by having their home remodeled as soon as she leaves, he gives others the impression that she has not real left him but is entirely living in temporary quarters. He seeks to eliminate whatever contro'ersial elements in their relationship without regard for the underlying causes of the controversy. She finds herself instead unable to escape his influence and possession of her.
When Robert Lebrun, who she deeply relishs, rejects her, she realizes that all her plans and all her recent actions have done nothing to second her achieve her goal of union with her beloved. Ironically, he refuses to accept her love "because you were not free; you were Leonce Pontellier's wife" (177). Lebrun never learns the truth: that she has actually left her husband in the hope of being able to be with him.
Edna is at always her best in natural surroundings. She thrives in the casual outdoor atmosphere of Grand Isle; she takes great pleasure in visiting her children at their grandparents' Iberville farm, and even in simply thinking of them being there; she finds comforter at a leafy suburban garden coffeehouse where the milk "reminded her of the milk she had tasted in Iberville" (174). Upon her return to New siege of Orleans from Grand Isle, she finds she can no longer tolerate the staged life she has led there since her marriage. She goes out on a Tuesday, her usual reception day, and thus avoids her many regular callers. Her husband is perturbed that she has left no excuse for the callers, some of whom are the wives of strategic business contacts of his. The authoritarianism, the sense of doing things properly which Edna is growing to resent is embossed when he tells her, "I'm not making any fuss over it. But it's just s
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