Faulkner & Gilman on The Yellow Wallpaper

A Rose for dominate Emily illustrates the story of dominate Emily Grierson, the last in a large line of that name, one(a) of the town's "august" names. Miss Emily symbolizes the past. She is a biography monument to its bureau of life story and the townspeople. She is the embodiment of an old, proud finis and since 1894 she has been viewed as a "hereditary obligation." The time and the environment in which Miss Emily exist helps explain the relationship she has with the men in her life. Because of her family's background and because of the town's background, Miss Emily and her home are a surviving shrine. Like the narrator in The Yellow Wallpaper, however, Miss Emily lives an degage existence. Miss Emily is isolated from her fellow townspeople. To them she is little more than a living monument, a silhouette in the window and a subject for gossip. The Grierson name is one of the august names of the past, one the town remembers with nostalgia. However, while it manifests respect for Miss Emily, the name in addition causes fear and resentment among the townspeople. In death Miss Emily attracts the " deferential attention for a fallen monument," but in life she was a "tradition, a duty, and a care; a enlighten of hereditary obligation upon the town," (Faulkner 1934, 119).

In The Yellow Wallpaper, the narrator is besides isolated from friends and even family. Confined to her room, she resembles Miss Emily in her wayward refusal to accept the dictates of the man in her life, her

In The Yellow Wallpaper the narrator is also cross-grained. However, foreign Miss Emily the narrator is not stubborn because of resisting changing times. She is stubborn against the status quo and would like to see change. This is particularly true when it comes to the way men dominate and dictate the lives of women. The narrator's obstinacy is against the restrictions imposed on her by her conserve/physician. She will eventually succumb to monomania primarily because it is something that SHE can control and it represents an escape from the repression of her daily life, "She obsesses slightly the yellow wallpaper, in which she seems frightful patterns and an imprisoned female routine trying to emerge.

The narrator finally escapes from her controlling husband and the unendurable confines of her existence by a final gloam into insanity as she peels the wallpaper off and bars her husband from the room," (Gilman 1999, 1).

Gilman, C. P. (1999). Charlotte Perkins Gilman. Viewed on Dec 1, 2003: http://endeavor.med.nyu.edu/lit-med/lit-med-db/webdocs/webdescrips/gilman87-des-.html

Inside her stubborn house, Miss Emily is also isolated. The narrator in A Rose for Emily describes for us the significant events in Emily's life. He explains her funeral, provides a description of the home, and talks about Miss Emily's tax income problems. We are then provided with a scene near the end of Miss Emily's life that manifold her tax situation. This establishes Miss Emily's refusal to acknowledge change. Time for Miss Emily is the " undetectable watch ticking at the end of the gold arrange" that vanishes into her belt, (Faulkner 1934, 120). For Miss Emily time has vanished. We see this when she is confronted about her unpaid tax bill. She refers to a remission of taxes that occurred years earlier, and she refers to Colonel Sartoris, dead for over a decade. Miss Emily cannot accept the reality of the present, "'See Colonel Sartoris?I have no taxes in Jefferson," (Faulkner 1934, 121). <
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