A Cataclysm in Repose Essay

Gabriel Garcia Marquezs A very(prenominal) Old Man with Enormous fly is a con humbug that fuses together magical and existent elements. In an interview, Marquez explains the influences and origins of this unique zeal of piece. The story (not surprisingly) is about an old man with enormous wings who some modes ends up in a small Caribbean or Central Ameri heap town and the events that surround this occurrence. The story is written in such a way that magical elements appear in a seemingly realistic placedting. The interview with Marquez, although never specifically mentioning the story, provides insight as to how he achieves written material in this oxymoronic flair.Marquez attributes his magical-realistic style of writing to the reciprocal relationship between novels and journalism. Marquez says that his authoritative profession is that of a journalist (131. This background in journalism helps fall out his writing in a close relationship with reality (137). Marquez promote states that trying to transpose reality can lead to losing contact with it and journalism is a good guard against that. As a journalist Gabriel Garcia Marquez believes that writing is hard work that requires a certain technique with structure and scrupulous attention to detail. Marquez also describes a journalistic trick (138) used to put up things credible saying that in that respect be four hundred and xxv elephants in the sky is much more believable than simply stating there are elephants in the sky. Evidence of this journalistic influence is clearly seen throughout A Very Old Man with Enormous Wings and this makes the story seem much more believable.Another important aspect of Marquezs writing is his use of vivid picture showry. He began writing by design cartoons and in the genesis of all his books theres always an image (143), such as a photograph. Gabriel Garcia Marquez visited his hometown and he experienced it as everything in the town evolved into literature. Marq uez follows by saying that its always easy to enumerate whether a writer is writing about something that has happened to him or something he has strike or been told (136). Writing on his birthplace adds a sense of realism and imagery to the story. Marquez also gives credit to hisgrandmothers brick face style of story telling as an influence to his writing. She told things that sounded supernatural and fantastic, but she told them with dispatch naturalness (138). The combination of these elements adds to the authenticity and colorfulness of Marquezs stories.Gabriel Garcia Marquez explains, in his interview, the importance of the root separate as setting the tone for the rest of the story. A Very Old Man with Enormous Wings is no exception. The story begins with a reference to Marquezs fascination with plagues as he describes an abundance of point after three days of rain. Marquez continues by saying that the world had been drear since Tuesday. Sea and Sky were a single ash-gr ay thing This is an caseful of the aforementioned journalistic trick which makes the sadness more believable.There is a convergence with the interview when Marquez says that every Mexican he sees in europium leaves the following Wednesday, as opposed to any other day. The ash-gray interpretation also provides a vivid image of the sea and sky. The first paragraph ends with an introduction of the old man, impeded by his enormous wings. This does indeed set the tone for the rest of the story with detailed descriptions, sharp imagery and the magical-realistic elements are introduced.The story continues with a detailed, precise, and unconventional description of an backer. Word about the paragon gets out, and many people come to see him, including the Priest, Father Gonzaga. There is evidence, in the beginning of the story that the setting is in a small Caribbean or Central America town, such as the one Marquez grew up in. Statements deal everyone knew, neighbor women and referring to the priest as Father Gonzaga give the image of a small Spanish-speaking town. The credibility of the winged man as an angel is questioned in the story by Father Gonzaga. The visiting people dun and test the patience of the angel.Eventually, a carnival took the attention away from him, including a woman who had been changed into a spider for having disobeyed her parents (572), another ideal of the journalistic trick. An example of the brick faced story telling appears when things return to the time it had rained for three days and crabs walked through the bedroom (573). The paragraph simply ends here, with something completely fantastical told as if it were completely normal. The keepers ofthe angel profit at the angels expense until people no longer care to see him and in the end the angel regains his strength and flies away ungracefully.The interview did not specifically address A Very Old Man with Enormous Wings and therefore it was not useful in understanding the story no r did it study anything away from it. The interview was, however, effective and useful in understanding how Marquez can effectively write in such a unique style. The way the story seems to be so believable yet at the equal time so fantastical is explained. If I could ask Gabriel Garcia Marquez another question, I would like to know more about what he meant by the expert writing and more on the influence of politics in his writing. macrocosm a Marxist, how did this affect the non-traditional representation of the angel? I found that, in general, the interview provided helpful insight on what makes Marquezs magical-realistic writing so vivid and believable.Work CitedStone, Peter H. An interview with Gabriel Garcia Marquez, Unknown date and publisher.Marquez, Gabriel Garcia. A Very Old Man with Enormous Wings. The Story and its Writer. Boston, MA Bedford/St. Martins ., 2003.