ith the singer, Fleming explains that she received her training at Julliard and has worked with the same vocal teacher, Beverly Johnson, for thirteen years.
As another composer of the vitamin B canto style, Bellini, once stated: "Opera, through singing, must make one shudder, weep, die" (Wang 1). Many of Fleming's vocal and performance skills enable her to entreat such emotions from audiences as she relates to both tragic and lighthearted heroines. utter to possess a dizzying versatility and winsome charm, one critic verbalize of her characters that Fleming "captures their warm inwardness, rapture, passion, ecstasy, and desperation: darkening and lightening her voice at will" (Renee 1).
This "will" was another important aspect of group B canto singing
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